BONAPARTES
and the ancient The Bonapartes and the ancient

an
impérial
language

Partners

Maison Bonaparte
Edition Albiana
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In Summary

This virtual exhibition is under reconstruction.
Thank you for your understanding, good visit

The reference to antiquity is permanent among the Bonapartes and appears in very diverse forms of Fine Arts, architecture, painting, sculpture and decorative arts, literary references and political speech.


References to ancient Rome are the filigree of the symbolism of the French Empire: eagles, laurels, purple coats. The cause is Napoleon's raising of imperial dignity.


The exceptional collection of the Fesch Heritage Library bears witness to these symbolic, cultural and political issues. This exhibition is built from his collections.







gravure
1st Part

The discovery of the Ancient: 

excavations, analysis of ruins and studies of texts.

The prestige of the Roman Empire is immense, it leaves nostalgia for a perfectly structured and unified state, governing under the same political model the lives of millions of inhabitants of diverse cultures. All remains of this glorious past are exhumed and exhibited, then systematic excavations will be organized.

2nd Part

The valorization of Antiquity : Museums, collections and publications.

The reunion of these vestiges will be rationalized in ad hoc institutions; the Capitol Museum, in Rome, is the first d’ between them. Scholars will study the remains and compare them with texts from the Arsquo; Antiquity. The comparison of several parcel copies of d’ the same damaged work allows to better understand its meaning. From this research, Winckelmann invented l’ history of l’ art. From all this, and in s’ relying on the rivalry between Paris and Rome, Napoleon built the basis of a language intended to be spoken throughout the Empire.


videos de présentation de la Maison Bonaparte
Vidéo
Présentation of exhibition, Bonaparte house
présentation de l expo bibliotheque fesch
Vidéo
Présentation of heritage library


page architecture
3rd Part

Before the Empire and Neoclassicism: Renaissance theorists and interpretations of Baroque.

 The spur of Neo-classicism was the discovery of Herculaneum and Pompeii, then the correspondence that was established between Greek art: democratic; and Roman art: patriotic. But already, the Renaissance had sought to theorize the heritage we had received from antiquity, while the Baroque era went further by reinterpreting it.